“Their conversation is like a gently wicked dance: sound meets sound, curtsies, shimmies, and retires. Another sound enters but is upstaged by still another: the two circle each other and stop. Sometimes their words move in lofty spirals; other times they take strident leaps, and all of it is punctuated with warm-pulsed laughter—like the throb of a heart made of jelly. The edge, the curl, the thrust of their emotions is always clear to Frieda and me. We do not, cannot, know the meanings of all their words, for we are nine and ten years old. So we watch their faces, their hands, their feet, and listen for truth in timbre.”

“turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.”

“Except...I do. Of course I do. Because as his hands gently cup my waist, I don't make a sound. As he swivels me around to face him, I don't make a sound. I don't need to. We're still talking. Every touch he makes, every imprint of his skin is like another word, another thought, a continuation of our conversation. And we're not done yet. Not yet.”

“She liked that word: we. It sounded warm and open, like a hug.”

“I suppose all this sounds very crazy — all these terrible emotions always do sound foolish when we put them into our inadequate words. They are not meant to be spoken — only felt and endured.”

“What do two women friends usually do when they see each other? We talked, we watched television, we listened to music Sometimes we did nothing at all. It was a pleasure just to know the other one was there.”