“I've lived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body, more sores than skin, when they're burned and in agony, when flies lay eggs in the corners of the eyes of their children - they live. Death usually has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but I recognize the habit; the addiction to being alive. So we live past hope. If I can find hope anywhere, that's it, that's the best I can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life.”

“Imagination can't create anything new, can it? It only recycles bits and pieces from the world and reassembles them into visions... So when we thing we've escaped the unbearable ordinariness and, well, untruthfulness of our lives, it's really only the same old ordinariness and falseness rearranged into the appearance of novelty and truth. Nothing unknown is knowable. Don't you think it's depressing?”

“We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.”

“ROY [COHN]:Please. Let me finish. Few people know this and I’m telling you this only because. . . . I’m not afraid of death. What can deathbring that I haven’t faced? I’ve lived; life is the worst.(Gently mocking himself) Listen to me, I’m a philosopher. Joe. You must do this. You must must must. Love, that’s a trap. Responsibility; that’s a trap, too. Like a father to a son I tell you this: Life is full of horror; nobody escapes, nobody; save yourself. Whatever pulls on you, whatever needs from you, threatens you. Don’t be afraid; people are so afraid; don’t be afraid to live in the raw wind, naked, alone. . . . Learn at least this: What you are capable of. Let nothing stand in your way.”

“I hate America. I hate this country. It’s just big ideas, and stories, and people dying, and people like you. The white cracker who wrote the national anthem knew what he was doing. He set the word 'free' to a note so high nobody can reach it. That was deliberate. Nothing on earth sounds less like freedom to me. You come to room 1013 over at the hospital, I'll show you America. Terminal, crazy and mean. I live in America, that’s hard enough, I don’t have to love it. You do that. Everybody’s got to love something.”

“Mostly I live in this moment, right now, and I'm grateful for it. I know that most of this life lies behind me, but what I Live for is today, and for the tomorrows that remain. My eyes are bombarded by the sights of this beautiful world. Every breath has the rich fragrance of trees and flowers. I'm privileged to be alive to share these wonderful feelings with you. I toast our fallen comrades, all of whom live on in our hearts.So far, so good. Do I sound like I think I'm going to live forever? you bet your fucking ass. I know better, at least in my mind. But this heart still beats a little faster for all the beauty in the world. I can honestly say that I've lived my time here fully. Perhaps the life story I have recounted in these pages will help you to avoid some of the pitfalls that tripped me up along the way.I hope so. And I hope that you'll live the rest of your time to the fullest. I don't see any other good way to go.”

“Real love isn't ambivalent. I'd swear that's a line from my favorite best-selling paperback novel, "In Love with the Night Mysterious", except I don't think you've ever read it. Well, you ought to, instead of spending the rest of your life, trying to get through "Democracy in America." It's about this white woman whose daddy owns a plantation in the Deep South, in the years before the Civil War. And her name is Margaret, and she's in love with her daddy's number-one slave, and his name is Thaddeus. And she's married, but her white slave-owner husband has AIDS: Antebellum Insufficiently-Developed Sex-organs. And so, there's a lot of hot stuff going down, when Margaret and Thaddeus can catch a spare torrid ten under the cotton-picking moon. And then of course the Yankees come, and they set the slaves free. And the slaves string up old daddy and so on, historical fiction. Somewhere in there I recall, Margaret and Thaddeus find the time to discuss the nature of love. Her face is reflecting the flames of the burning plantation, you know the way white people do, and his black face is dark in the night and she says to him, "Thaddeus, real love isn't ever ambivalent.”