“Kyle, every boy pays for kisses. Do you know what I am saying? If you've got a girl, and she kisses you, sooner or later you're paying for it. You've gotta take her out to lunch, take her to a movie, and then spend time listenin' to all her stupid problems. Look, look at Stan right there. [Kyle turns to see Stan, who's listening to Wendy over at the merry-go-round] Why he's gotta sit there and listen to her stupid motherfuckin' problems 'cause she kisses him. If you ask me, that's a lot more than the five dollars my company charges.”

“I miss you more than Michael Bay missed the markWhen he made Pearl Harbor. I miss you more than that movie missed the pointAnd that's an awful lot, girl. And now, now you've gone awayAnd all I'm trying to say, is: Pearl Harbor sucked and I miss you.I need you like Ben Affleck needs acting schoolHe was terrible in that film. I need you like Cuba Gooding needed a bigger partHe's way better than Ben Affleck. And now, all I can think about is your smileand that shitty movie, too. Pearl Harbor sucked and I miss you. Why does Michael Bay get to keep on making movies? I guess Pearl Harbor suckedjust a little bit more than I miss you.”

“Kim Jong Il: Hans Brix? Oh no! Oh, herro. Great to see you again, Hans!Hans Blix: Mr. Il, I was supposed to be allowed to inspect your palace today, but your guards won't let me enter certain areas.Kim Jong Il: Hans, Hans, Hans! We've been frew this a dozen times. I don't have any weapons of mass destwuction, OK Hans?Hans Blix: Then let me look around, so I can ease the UN's collective mind. I'm sorry, but the UN must be firm with you. Let me in, or else.Kim Jong Il: Or else what?Hans Blix: Or else we will be very angry with you... and we will write you a letter, telling you how angry we are.”

“Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"Patch: "Single her out. Talk to her."Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?”

“I look up at Eric,sniffing "I tried to...and..."I shake my head. "You tired to what?" asks Eric"Kiss me," says Tobias. "And I rejected her,and she went running off like a five-year-old. there's really nothing to blame her for but stupidity.”

“Halfway to the house Stan stopped and turned to Jane. He put his hands on her shoulders and drew her toward him."I'm glad we're going steady," he whispered."So am I."In spite of the reassuring weight of his bracelet on her wrist, Jane suddenly felt shy. It seemed strange to be so close to Stan, to feel his crisp clean shirt against her cheek. She could not look up at him. Gently Stan lifted her face to his. "You're my girl," he whispered.-Fifteen”

“No," interrupted Marcia emphatically. "And you're a sweet boy. Come here and kiss me."Horace stopped quickly in front of her."Why do you want me to kiss you?" he asked intently. "Do you just go round kissing people?""Why, yes," admitted Marcia, unruffled. "'At's all life is. Just going around kissing people.”