“And unless one can observe the guilt and regret of the mourners, surely there is nothing satisfactory about being dead?”

“I'll never disgrace myself. And I swear, it never crossed my mind about Holly. You can love somebody without it being like that. You keep them a stranger, a stranger who's a friend.”

“I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer may cool you, but the other's sure to.”

“It's a bore, but the answer is good things only happen to you if you're good. Good? Honest is more what I mean. Not lawtype honest--I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's enjoyment--but unto-thyself-type honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer may cool you, but the other's sure to.”

“Royal summoned mourners. They came from the village, from the neighboring hills and, wailing like dogs at midnight, laid siege to the house. Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they'd done a good job.”

“Is it - I'm not certain - possible to love someone if your first interest is the use you can make of him? Doesn't the gainful motive, and the guilt accruing to it, halt the progression of other emotions? It can be argued that even the most decently coupled people were initially magnetized by the mutual-exploitation principle - sex, shelter, appeased ego; but still that is trivial, human: the difference between that and truly using another person is the difference between edible mushrooms and the kind that kill: Unspoiled Monsters.”

“The only obligation any artist can have is to himself. His works means nothing, otherwise. It has no meaning.”