“She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox. In this case, as opposed to the scrupulous method of good taste and scientific grooming, the trick had been worked by exaggerating defects; she'd made them ornamental by admitting them boldly.”

“He’d always been willing to confess his faults, for, by admitting them, it was as if he made them no longer exist.”

“Grady knew no one she thought less attractive than Mink, or more preposterous than Winifred: yet together and around them they made a clear, lovely, light: it was as if, out of their ordinary stone, their massive unshaped selves, something precious had been set free, a figure musical and pure: she could not but pay it homage.”

“She would not admit she was making a mess. Unfazed by bacon already shriveled and coffee stone-cold, she poured her mixings onto a grill she'd forgotten to grease, and said, "Oh I adore to cook: it makes me feel so mindless in a worthwhile way.”

“There's lots of things you don't know. All kinds of strange things . . . mostly they happened before we were born: that makes them seem to me so much more real.”

“But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don’t wanna sleep, Don’t wanna die, Just wanna go a-travelin’ through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk.”

“Those final weeks, spanning end of summer and the beginning of another autumn, are blurred in memory, perhaps because our understanding of each other had reached that sweet depth where two people communicate more often in silence than in words: an affectionate quietness replaces the tensions, the unrelaxed chatter and chasing about that produce a friendship’s more showy, more, in the surface sense, dramatic moments.”