“Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.”

“There's lots of things you don't know. All kinds of strange things . . . mostly they happened before we were born: that makes them seem to me so much more real.”

“Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.”

“Let me begin by telling you that I was in love. An ordinary statement, to be sure, but not an ordinary fact, for so few of us learn that love is tenderness, and tenderness is not, as a fair proportian suspect, pity; and still fewer know that happiness in love is not the absolute focusing of all emotion in another: one has always to love a good many things which the beloved must come only to symbolize; the true beloveds of this world are in their lovers's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favourite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.”

“Grady knew no one she thought less attractive than Mink, or more preposterous than Winifred: yet together and around them they made a clear, lovely, light: it was as if, out of their ordinary stone, their massive unshaped selves, something precious had been set free, a figure musical and pure: she could not but pay it homage.”

“To me, the greatest pleasure of writing is not what it’s about, but the inner music that words make.”

“But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don’t wanna sleep, Don’t wanna die, Just wanna go a-travelin’ through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk.”