“People to whom nothing has ever happened cannot understand the unimportance of events.”

“Why should we celebrateThese dead men more than the dying?It is not to ring the bell backwardNor is it an incantationTo summon the spectre of a Rose.We cannot revive old factionsWe cannot restore old policiesOr follow an antique drum.These men, and those who opposed themAnd those whom they opposedAccept the constitution of silenceAnd are folded in a single party.Whatever we inherit from the fortunateWe have taken from the defeatedWhat they had to leave us - a symbol:A symbol perfected in death.”

“So here I am, in the middle way, having had twenty years-Twenty years largely wasted, the years of l'entre deux guerres-Trying to use words, and every attemptIs a wholy new start, and a different kind of failureBecause one has only learnt to get the better of wordsFor the thing one no longer has to say, or the way in whichOne is no longer disposed to say it. And so each ventureIs a new beginning, a raid on the inarticulate,With shabby equipment always deterioratingIn the general mess of imprecision of feeling,Undisciplined squads of emotion. And what there is to conquerBy strength and submission, has already been discoveredOnce or twice, or several times, by men whom one cannot hopeTo emulate - but there is no competition -There is only the fight to recover what has been lostAnd found and lost again and again: and now, under conditionsThat seem unpropitious. But perhaps neither gain nor loss.For us, there is only the trying. The rest is not our business.”

“If time and space, as sages say,Are things which cannot be,The sun which does not feel decayNo greater is than we.So why, Love, should we ever prayTo live a century?The butterfly that lives a dayHas lived eternity.”

“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.”

“He is haunted by a demon, a demon against which he feels powerless, because in its first manifestation it has no face, no name, nothing; and the words, the poem he makes, are a kind of exorcism of this demon.”

“Now that lilacs are in bloomShe has a bowl of lilacs in her roomAnd twists one in her fingers while she talks."Ah, my friend, you do not know, you do not knowWhat life is, you who hold it in your hands"; (slowly twisting the lilac stalks)"You let it flow from you, you let it flow,And youth is cruel, and has no remorseAnd smiles at situations which it cannot see."I smile, of course,And go on drinking tea.”