“All my life my dad felt this need to protect his kids from a war he fought, a war I believed could never reach out and touch us, could never hurt us—and yet he fed us lies with his answers, shielding us from the truth about what he did there, about what he saw, about who he was before the war, and about what he became because of it. He lied to protect us from his memories, from his nightmares. Standing with my dad at The Wall, I knew the truth—no one could know so many names engraved in granite if he 'never was in danger.”

“I needed to talk to my dad. My dad who had been to war, who had seen its horrors, who suffered from its nightmares, my dad who was a good man, the best man I’d ever known, who, along with my uncle, I wanted to honor by teaching military kids—my dad, the only one who I would believe if he would just tell me I could be good, too, that I could do right by my students, because for sure they were going to suffer. It’s just cause and effect. We’re at war. The military fights wars. I teach military kids. I’d never served, but now I could make a difference. I just needed my dad to tell me what to do, to tell me I was good enough to get it done.”

“I asked my dad once if his high school teachers began treating kids differently during Vietnam, when they knew some of their students would be drafted and sent to war. I was curious because for sure we’d started treating our military kids differently after 9/11. He just shrugged and changed the subject, like he always did. And that was okay with me. He’d go back and change a lot of things if he could; and like everyone else, I’d give anything to go back to the day before 9/11—but all we can do is move forward.”

“I don’t know how long we talked about that game the first time my dad showed me the ticket stub. He admitted he hadn’t even been sure that he still had it, that he was surprised when he’d been able to find it. But we’ve spent hours and hours and hours talking about it since. And it’s pretty amazing, because that ticket stub sat in a box for two decades—once it let my dad into a stadium to see a baseball game, and then later, it let me into my dad’s world, into his past, to learn about the man who taught me to love a game so passionately that it shaped nearly every aspect of my life.”

“I’m in my classroom and I’m looking at this girl, but all I can see is my dad on the ground, in front of The Wall, telling the truth, finally—his knees drawn and his chest heaving—and when people pass by they look the other way, except for this one lady who stops to give my dad a hug. She gets down on her knees to reach him, and now she’s crying with a stranger, and without asking I know it’s because she’s lost something, too, and I wonder if in comforting my dad she thinks she can find it again. Probably not. It doesn’t work that way.”

“Our vision is so limited we can hardly imagine a love that does not show itself in protection from suffering. The love of God is of a different nature altogether. It does not hate tragedy. It never denies reality. It stands in the very teeth of suffering. The love of God did not protect His own Son. The cross was the proof of His love – that He gave that Son, that He let Him go to Calvary’s cross, though “legions of angels” might have rescued Him. He will not necessarily protect us - not from anything it takes to make us like His Son. A lot of hammering and chiseling and purifying by fire will have to go into the process.”

“Joe Sewell is the toughest strikeout in baseball history. In 14 seasons he struck out only 114 times—he never struck out three times in a game, and he struck out twice in a game on only two occasions. So how is it possible that a 30-year-old pitcher who won eight games and recorded 54 strikeouts—in his career—fanned Sewell twice in one game? I don’t know, but he did, in 1923.”