“Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.”
“Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means...”
“Born as the raising to the nth power of that initial (and rational) waste that is sports recreation, sports chatter is the glorification of Waste, and therefore the maximum point of Consumption. On it and in it the consumer civilization man actually consumes himself (and every possibility of thematizing and judging the enforced consumption to which his is invited and subjected).”
“Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”
“We'll have to see," Belbo said. He rummaged in his drawer and took out some sheets of paper. "Potio-section..." He looked at me, saw my bewilderment. "Potio-section, as everybody knows, of course, is the art of slicing soup. No, no," he said to Diotallevi. "It's not the department, it's a subject, like Mechanical Avunculogratulation or Pylocatabasis. They all under the same heading of Tetrapyloctomy.""What's tetra...?" I asked."The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.""All right, gentlemen," I said, "I give up. What are you two talking about?""Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossible courses are given. The school's main is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”
“I will tell you the deeper significance of this, which otherwise might seem a banal hydraulic joke. Caus knew that if one fills a vessel with water and seals it at the top, the water, even if one then opens a hole in the bottom, will not come out. But if one opens a hole in the top, also, the water spurts out below." "Isn't that obvious?" I said. "Air enters at the top and presses the water down." "A typical scientific explanation, in which the cause is mistaken for the effect, or vice versa. The question is not why the water comes out in the second place, but why it refuses to come out in the first case." "And why does it refuse?" Garamond asked eagerly. "Because, if it came out, it would leave a vacuum in the vessel, and nature abhors a vacuum. Nequaquam vacui was a Rosicrucian principle, which modern science has forgotten." "Excuse me," Belbo said to Agliè, "but your argument is simply post hoc ergo ante hoc. What follows causes what came before.You must not think linearly. The water in these fountains doesn't. Nature doesn't; nature knows nothing of time. Time is an invention of the West.”
“I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.”