“We'll have to see," Belbo said. He rummaged in his drawer and took out some sheets of paper. "Potio-section..." He looked at me, saw my bewilderment. "Potio-section, as everybody knows, of course, is the art of slicing soup. No, no," he said to Diotallevi. "It's not the department, it's a subject, like Mechanical Avunculogratulation or Pylocatabasis. They all under the same heading of Tetrapyloctomy.""What's tetra...?" I asked."The art of splitting hairs four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We're not sure, though, if Pylocatabasis belongs, since it's the art of being saved by a hair. Somehow that doesn't seem completely useless.""All right, gentlemen," I said, "I give up. What are you two talking about?""Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossible courses are given. The school's main is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”

“Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects.”

“We'll have to consult Aglie. I doubt that even he knows all these organizations.""Want to bet? They're his daily bread. But we can put him to the test. Let's add a sect that doesn't exist. Founded recently."I recalled the curious question of De Angelis, whether I had ever heard of the Tres. And I said: "Tres.""What's that?" Belbo asked."If it's an acrostic, there has to be a subtext," Diotallevi said. "Otherwise my rabbis would not have been able to use the notarikon. Lets see... Templi Resurgentes Equites Synarchici. That suit you?"We liked the name, and put it at the bottom of the list."With all these conventicles, inventing one more was no mean trick," Diotallevi said in a sudden fit of vanity.”

“We were interrupted by a girl with a strawberry birthmark on her nose; she had some papers in her hand and asked if we had signed the petition for the imprisoned Argentinean comrades. Belbo signed without reading it. "They're even worse of than I am," he said to Diotallevi, who was regarding him with a bemused expression. "He can't sign," Belbo said to the girl. "He belongs to a small Indian sect that forbids its members to write their own names. Many of them are in jail because of government persecution." The girl looked sympathetically at Diotallevi and passed the petition to me."And who are they?" I asked."What do you mean, who are they? Argentinean comrades.""But what group do they belong to?""The Tacuarus, I think.""The Tacuarus are fascists," I said. As if I knew one group from the other."Fascist pig," the girl hissed at me. She left.”

“I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other..."but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted.""The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love.”

“The definition of Christian art is to be found in its subject and its spirit. Everything, sacred and profane, belongs to it. God does not ask for “religious” art or “Catholic” art. The art he wants for himself is Art, with all its teeth.”