“....his silence he has indicated that he is willing. He hasn't the strength any more, the excess vitality, for an affair—its danger, its demand performances, the secrecy added like a filigree to your normal life, your gnawing preoccupation with it and with the constant threat of its being discovered and ended.”

“I'm willing to show good taste, if I can, in somebody else's living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another's brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.”

“…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?”

“The clangor of the body shop comes up softly. It's noise comforts him, tells him he is hidden and safe, that while he hides men are busy nailing the world down, and toward the disembodied sounds his heart makes in darkness a motion of love.”

“My first thought, as a child, was that the artist brings something into the world that didn't exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central magic, its core of joy.”

“He tries to picture how it will end, with an empty baseball field, a dark factory, and then over a brook in a dirt road, he doesn’t know. He pictures a huge vacant field of cinders and his heart goes hollow.”

“Standing amid the tan, excited post-Christmas crowd at the Southwest Florida Regional Airport, Rabbit Angstrom has a funny sudden feeling that what he has come to meet, what's floating in unseen about to land, is not his son Nelson and daughter-in-law Pru and their two children but something more ominous and intimately his: his own death, shaped vaguely like an airplane.”