“Literature is the extant body of written art. All novels belong to it.The value judgement concealed in distinguishing one novel as literature and another as genre vanishes with the distinction.Every readable novel can give true pleasure. Every novel read by choice is read because it gives true pleasure.Literature consists of many genres, including mystery, science fiction, fantasy, naturalism, realism, magical realism, graphic, erotic, experimental, psychological, social, political, historical, bildungsroman, romance, western, army life, young adult, thriller, etc., etc…. and the proliferating cross-species and subgenres such as erotic Regency, noir police procedural, or historical thriller with zombies.Some of these categories are descriptive, some are maintained largely as marketing devices. Some are old, some new, some ephemeral.Genres exist, forms and types and kinds of fiction exist and need to be understood: but no genre is inherently, categorically superior or inferior.(Hypothesis on Literature vs. Genre)”

“All fiction is metaphor. Science fiction is metaphor. What sets it apartfrom older forms of fiction seems to be its use of new metaphors, drawn fromcertain great dominants of our contemporary life -- science, all the sciences,and technology, and the relativistic and the historical outlook, among them.Space travel is one of these metaphors; so is an alternative society, analternative biology; the future is another. The future, in fiction, is ametaphor.A metaphor for what?If I could have said it non-metaphorically, I would not have written all thesewords, this novel; and Genly Ai would never have sat down at my desk and usedup my ink and typewriter ribbon in informing me, and you, rather solemnly,that the truth is a matter of the imagination.”

“...[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well.”

“In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.”

“While we read a novel, we are insane—bonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.”

“The natural, proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us.”

“I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.”