“But nobody in one lifetime could read more than a fragment of what was here, this broken labyrinth of words, this shattered, interrupted story of a people and a world through the centuries, the millennia.”
“I am no more lonely than the loon on the pond that laughs so loud.”
“What good is music? None, Gage thought, and that is the point. To the world and its states and armies and factories and leaders, music says, ‘You are irrelevant’; and, arrogant and gentle as a god, to the suffering man it says only, ‘Listen.’ For being saved is not the point. Merciful, uncaring, it denies and breaks down all the shelters, the houses that men build for themselves, that they may see the sky.”
“Interruptions were sometimes more frequent than statements. The process, compared to a well-managed executive conference, was a slab of raw beef compared to a wiring diagram. Raw beef, however, functions better than a wiring diagram would, in its place — inside a living animal.”
“There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.”
“It was more than dignity. Integrity? Wholeness? Like a block of wood not carved. The infinite possibility, the unlimited and unqualified wholeness of being of the uncommitted, the nonacting, the uncarved: the being who, being nothing but himself, is everything.”