“It was the eyes. The secret of love was in the eyes. The way one person looked at another, the way eyes communicated and spoke when the lips never moved.”
"It was the eyes. The secret of love was in the eyes. The way one person looked at another, the way eyes communicated and spoke when the lips never moved.” - V.C. Andrews
In this quote, V.C. Andrews emphasizes the power and importance of eye contact in expressing and conveying love. The eyes are said to be able to reveal the deepest emotions and feelings that words may fail to articulate. The connection and bond between two individuals can often be strengthened and deepened through the loving gaze exchanged between them, highlighting the significance of non-verbal communication in relationships. By focusing on the eyes as the window to the soul, Andrews captures the profound intimacy and understanding that can be shared between two individuals in love.
V.C. Andrews once noted, "It was the eyes. The secret of love was in the eyes." In today's fast-paced and digital world, where communication often takes place through screens and emojis, the significance of eye contact in relationships remains as relevant as ever. The way one person looks at another can convey depth of emotion, connection, and intimacy in a way that words sometimes cannot. In a world filled with distractions and constant noise, taking the time to truly look into someone's eyes and be present in the moment can be a powerful way to connect and deepen relationships.
As we consider the quote by V.C. Andrews about the power of eyes in expressing love and connection, we can reflect on our own experiences and beliefs about the role of eye contact in relationships. Here are some questions to ponder:
“People never really died. They only went on to a better place, to wait a while for their loved ones to join them. And then once more they went back to the world, in the same way they had arrived the first time around.”
“Love … I put so much faith in it. Truth … I kept believing it falls always from the lips of the one you love and trust the most. Faith … it’s all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?”
“love, is an unnatural attachment to another living thing. it's the root cause of most personal problems people have.”
“I had a gift too; not the bright and shining coin that was Christopher's. It was my way to turn over all that glittered and look for the tarnish.”
“Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voicegritty and low, "You look beautiful sitting there like that." Hecleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body throughyour clothes." Then, bewilderingly, he seized me by the shoulders, diggingin his fingers, hard! They hurt. "Damn you, Cathy! You kissedthat man! He could have awakened and seen you, and demandedto know who you were! And not thought you only a part of hisdream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you weresick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . .wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream!But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't passthrough a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine!You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . .now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug-gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced inthat swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled.Now we had done what we both swore we'd never do.”
“Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.”