“What a strange thing it is to wake up to a milk-white overcast June morning! The sun is hidden by a thick cotton blanket of clouds, and the air is vapor-filled and hazy with a concentration of blooming scent.The world is somnolent and cool, in a temporary reprieve from the normal heat and radiance.But the sensation of illusion is strong. Because the sun can break through the clouds at any moment . . .What a soft thoughtful time.In this illusory gloom, like a night-blooming flower, let your imagination bloom in a riot of color.”

“Withhold a smile only when the smile can hurt someone. Otherwise, let it bloom forth in a riot.”

“No Temple made by mortal human hands can ever compare to the Temple made by the gods themselves. That building of wood and stone that houses us and that many believe conceals the great Secret Temple from prying eyes, somewhere in its heart of hearts, is but a decoy for the masses who need this simple concrete limited thing in their lives. The real Temple is the whole world, and there is nothing as divinely blessed as a blooming growing garden.”

“One of the strangest things is the act of creation.You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument.You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena.And as it comes out, it takes shape and tangible form.It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble.You have given it cohesion. You have brought forth something ordered and beautiful out of nothing.You have glimpsed the divine.”

“SUN, MOON, AND STARRY SKYEarly summer evenings, when the first stars come out, the warm glow of sunset still stains the rim of the western sky.Sometimes, the moon is also visible, a pale white slice, while the sun tarries.Just think -- all the celestial lights are present at the same time!These are moments of wonder -- see them and remember.”

“The desert and the ocean are realms of desolation on the surface.The desert is a place of bones, where the innards are turned out, to desiccate into dust.The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being.Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water.Both worlds are deceptive, dangerous. Both, seething with hidden life.The only veil that stands between perception of what is underneath the desolate surface is your courage.Dare to breach the surface and sink.”

“Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift.If history itself had a color, it is . . . like wood or bark, or living forest floor.Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names.As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world.And the present moment is perfectly transparent.It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .”