“Flow is something the reader experiences, not the writer.”

“(Home is) a place we carry inside ourselves, a place where we welcome the unfamiliar because we know that as time passes it will become the very bedrock of our being.”

“How these humans dispose themselves! Unlike anything else in creation. Or rather like everything else in creation all at once. Legs of one beast. Arms of another. Proportions all awry to a tortoise's eye. Torso too squat. Too little neck. Vastly too much leg. Hands like creatures unto themselves. Senses delicately balanced. And yet each sense dulled by mental acuity. Reason in place of a good nose. Logic instead of a tail. Faith instead of the certain knowledge of instinct. Superstition instead of a shell.”

“I look at the books on my library shelves. They certainly seem dormant. But what if the characters are quietly rearranging themselves? What if Emma Woodhouse doesn’t learn from her mistakes? What if Tom Jones descends into a sodden life of poaching and outlawry? What if Eve resists Satan, remembering God’s injunction and Adam’s loving advice? I imagine all the characters bustling to get back into their places as they feel me taking the book down from the shelf. “Hurry,” they say, “he’ll expect to find us exactly where he left us, never mind how much his life has changed in the meantime.”

“Depth is not something the writer puts into a book; it's something the reader takes out of it.”

“If you want to master the art of the sentence, you must first accept a somewhat unpleasant truth--something a lot of writers would rather deny: The Reader is king. You are his servant. You serve the Reader information. You serve the Reader entertainment. You serve the Reader details of your company's recent merger or details of your experiences in drug rehab. In each case, as a writer you're working for the man (or the woman). Only by knowing your place can you do your job well.”

“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.”