“May the peace of God be with you,” she says, her voice low, “even in the midst of trouble.”“Why would it?” I say softly, so no one else can hear. “After all I’ve done...”“It isn’t about you,” she says. “It is a gift. You cannot earn it, or it ceases to be a gift.”

“You will hear that she has left the country, that there was a gift she wanted you to have, but it is lost before it reaches you. Late one night the telephone will sign, and a voice that might be hers will say something that you cannot interpret before the connection crackles and is broken.Several years later, from a taxi, you will see someone in a doorway who looks like her, but she will be gone by the time your persuade the driver to stop. You will never see her again.Whenever it rains, you will think of her.”

“All I can say is, she's the one I think about. All the time. She's the voice I want to hear. She's the face I hope to see. - Sam Roxton”

“I would say to housewives, be not daunted by one failure, nor by twenty. Resolve that you will have good bread, and never cease striving after this result till you have effected it. If persons without brains can accomplish this, why cannot you?”

“[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.”

“Joelle cuts off his interjection and says that but that her trouble with it is that ‘But For the Grace of God’ is a subjunctive, a counterfactual, she says and can make sense only when introducing a conditional clause, like e.g. ‘But For the Grace of God I would have died on Molly Notkin’s bathroom floor,’ so that an indicative transposition like […] she says, literally senseless, and regardless of whether she hears it or not it’s meaningless.”