“Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room."I heard a noise from the drop box," Jean said."What kind of noise?""I think it's an animal.""A what?""An animal," Jean said. "I think there's an animal in the drop box."That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat.Gurr-gug-gug. Gurr-gug-gug.But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk.What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe.I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole.At that moment, I lost every bone in my body and just melted.”

“This is a book. It is a book I found in a box. I found the box in the attic. The box was in the attic, under the eaves. The attic was hot and still. The air was stale with dust. The dust was from old pictures and books. The dust in the air was made up of the book I found. I breathed the book before I saw it; tasted the book before I read it.”

“That reminds me." I dug into my book bag and pulled out a white cardboard box tied with a string. "I brought these back for you."He looked at the box, then at me, before slowly reaching out. "What are they?""Poisonous snakes. Open it."Zachary untied the string. "They seem like very quiet snakes.""They're stealthy. Or maybe dead.”

“I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the good news and the bad news: you haven't! I made something, and you and I could look at it together, but it's not me; you don’t live with me; you're not intimate with me. You're not the man I live with or my friend. You will never know me in that way. I'm making something, like Joseph Cornell makes his boxes and everyone looks into them, but it's the box you look into; it's not the man or the woman. It's alchemy of language and memory and imagination and time and music and sounds that gets made, and that's different from 'Here is what happened to me when I was ten.”

“The truth is that I hate to think about other people reading my books," Miranda said. "It's like watching someone go through the box of private stuff that I keep under my bed.”

“A big seizure just kind of grabs the inside of your skull and squeezes. It feels as if it's twisting and turning your brain all up and down and inside out. Have you ever heard a washing machine suddenly flip into that bang-bang-bang sound when it gets out of balance, or a chain saw when the chain breaks and gets caught up in the gears, or an animal like a cat, screeching in pain? Those are what seizures felt like when I was little.”