“It is like a skull, which still has holes for eyes, but no longer sight.”

Victor Hugo

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“This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers!”


“As for the bishop, the sight of the guillotine was a great shock to him, from which he recovered only slowly.”


“When love has fused and mingled two beings in a sacred and angelic unity, the secret of life has been discovered so far as they are concerned; they are no longer anything more than the two boundaries of the same destiny; they are no longer anything but the two wings of the same spirit. Love, soar.”


“It would have been difficult to say what was the nature of this look, and whence proceeded the flame that flashed from it. It was a fixed gaze, which was, nevertheless, full of trouble and tumult. And, from the profound immobility of his whole body, barely agitated at intervals by an involuntary shiver, as a tree is moved by the wind; from the stiffness of his elbows, more marble than the balustrade on which they leaned; or the sight of the petrified smile which contracted his face,— one would have said that nothing living was left about Claude Frollo except his eyes.”


“Going about one's native land one is inclined to take many things for granted, roads and buildings, roofs, windows and doorways, the walls that shelter strangers, the house one has never entered, trees which are like other trees, pavements which are no more than cobblestones. But when we are distant from them we find that those things have become dear to us, a street, trees and roofs, blank walls, doors and windows; we have entered those houses without knowing it, we have left something of our heart in the very stonework. Those places we no longer see, perhaps will never see again but still remember, have acquired and aching charm; they return to us with the melancholy of ghosts, a hallowed vision and as it were the true face of France. We love and evoke them such as they were; and such as to us they still are, we cling to them and will not have them altered, for the face of our country is our mother's face.”


“And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations.Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. ”