“It would have been difficult to say what was the nature of this look, and whence proceeded the flame that flashed from it. It was a fixed gaze, which was, nevertheless, full of trouble and tumult. And, from the profound immobility of his whole body, barely agitated at intervals by an involuntary shiver, as a tree is moved by the wind; from the stiffness of his elbows, more marble than the balustrade on which they leaned; or the sight of the petrified smile which contracted his face,— one would have said that nothing living was left about Claude Frollo except his eyes.”

“How infinitely good that Providence is which has provided, in its government of mankind, such narrow bounds to his sight and knowledge of things; and though he walks in the midst of so many thousand dangers, the sight of which, if discovered to him, would distract his mind and sink his spirits, he is kept serene and calm by having the events of things hid from his eyes, and knowing nothing of the dangers which surround him!”

“Ganjin of Sho ¯daiji Temple endured seventy adversities in his attempts to come to Japan from China. He is said to have lost his sight due to the salt wind blown into his eyes. Worshipping at his sacred image: with a young leaf I would wipe the tears from your eyes”

“I looked at her, at first with the sort of gaze that is not merely the messenger of the eyes, but a window at which all the senses lean out, anxious and petrified, a gaze that would like to touch the body it is looking at, capture it, take it away and the soul along with it.”

“From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind hoping that the wind would touch the boy's face, and would tell him that she was alive.”

“A Klee painting named 'Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.”