“The jostling of young minds against each other has this wonderful attribute that one can never foresee the spark, nor predict the flash. What will spring up in a moment? Nobody knows. A burst of laughter starts from a scene of emotion. In a moment of buffoonery, the serious enters. Impulses depend on a chance word. The spirit of each is sovereign. A jest suffices to open the door to the unexpected. They are conferences with sharp turns, where the perspective suddenly changes. Chance is the director of these conversations.”

Victor Hugo
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“The jostling of young minds against each other has this wonderful attribute, that one can never foresee the spark, nor predict the flash. What will spring up in a moment? Nobody knows.”


“He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills?One kiss, and that was all.Both trembled, and they looked at each other in the darkness with brilliant eyes.They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it.She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there.From time to time Marius’ knee touched Cosette’s. A touch that thrilled.At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower.Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other.When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?"My name is Marius," he said. "And yours?"My name is Cosette.”


“What was he doing during the trip? What was he thinking about? As he had during the morning, he watched the trees go by, the thatched roofs, the cultivated fields, and the dissolving views of the countryside that change at every turn of the road. Scenes like that are sometimes enough for the soul, and almost eliminate the need for thought. To see a thousand objects for the first and last time, what could be more profoundly melancholy? Traveling is a constant birth and death. It may be that in the murkiest part of his mind, he was drawing a comparison between these changing horizons and human existence. All aspects of life are in perpetual flight before us. Darkness and light alternate: after a flash, an eclipse; we look, we hurry, we stretch out our hands to seize what is passing; every event is a turn in the road; and suddenly we are old. We feel a slight shock, everything is black, we can make out a dark door, the gloomy horse of life that was carrying us stops, and we see a veiled and unknown form that turns him out into the darkness. (pg. 248)”


“The first symptom of true love in a man is timidity, in a young woman, boldness. This is surprising, and yet nothing is more simple. It is the two sexes tending to approach each other and assuming each the other's qualities.”


“In fact, were it given to our human eye to see into the consciences of others, we would judge a man much more surely from what he dreams than from what he thinks. There is will in the thought, there is none in the dream. Even in the gigantic and the ideal, the dream, which is completely spontaneous, takes and keeps the form of our mind. Nothing springs more directly and more sincerely from our innermost souls than our unreflected and indefinite aspirations, much more than in ideas, which are structured, studied, and compared, can we find the true character of each man. Our chimeras are most like us. Each of us dreams the unknown and the impossible according to his own nature.”


“To travel is to be born and to die at every instant; perhaps, in the vaguest region of his mind, he did make comparisons between the shifting horizon and our human existence: all the things of life are perpetually fleeing before us; the dark and bright intervals are intermingled; after a dazzling moment, an eclipse; we look, we hasten, we stretch out our hands to grasp what is passing; each event is a turn in the road, and, all at once, we are old; we feel a shock; all is black; we distinguish an obscure door; the gloomy horse of life, which has been drawing us halts, and we see a veiled and unknown person unharnessing amid the shadows.”