“Without knowing it, Javert in his awful happiness was deserving of pity, like every ignorant man who triumphs. Nothing could have been more poignant or more heartrending than that countenance on which was inscribed all the evil in what is good.”

“Probity, sincerity, candor, conviction, the idea of duty, are things that, when in error, can turn hideous, but – even though hideous – remain great; their majesty, peculiar to the human conscience, persists in horror. They are virtues with a single vice – error. The pitiless, sincere joy of a fanatic in an act of atrocity preserves some mournful radiance that inspires veneration. Without suspecting it, Javert, in his dreadful happiness, was pitiful, like every ignorant man in triumph. Nothing could be more poignant and terrible than this face, which revealed what might be called all the evil of good. (pg. 291)”

“A benevolent malefactor, merciful, gentle, helpful, clement, a convict, returning good for evil, giving back pardon for hatred, preferring pity to vengeance, preferring to ruin himself rather than to ruin his enemy, saving him who had smitten him, kneeling on the heights of virtue, more nearly akin to an angel than to a man. Javert was constrained to admit to himself that this monster existed.Things could not go on in this manner. ”

“The mind's eye can nowhere find anything more dazzling or more dark than in man; it can fix itself upon nothing which is more awful, more complex, more mysterious, or more infinite. There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.”

“There are souls which, crab-like, crawl continually toward darkness, going back in life rather than advancing in it, using what experience they have to increase their deformity, growing worse without ceasing, and becoming steeped more and more thoroughly in an intensifying wickedness.”

“Nothing is more charming than the glow of happiness amid squalor. There is a rose-tinted attic in all our lives.”

“Had he not had a greater purpose, the saving not of his life but of his soul, the resolve to become a good and honourable man and upright man as the bishop required him - had not that been his true a deepest intention? Now he talked of closing the door on the past when, God help him, he would be reopening the door by committing an infamous act, not merely that of a thief but of the most odious of thieves. He would be robbing a man of his life, his peace, his place in the sun, morally murdering him by condemning him to the living death that is called a convict prison. But if, on the other hand, he saved the man by repairing the blunder, by proclaiming himself Jean Valjean the felon, this would be to achieve his own true resurrection and firmly close the door on the hell from which he sought to escape. To return to it in appearance would be to escape from it in reality. This was what he must do, and without it he would have accomplished nothing, his life would be wasted, his repentance meaningless, and there would be nothing left for him to say except, 'Who cares?' He felt the presence of the bishop, more urgent than in life; he felt the old priest's eyes upon him and knew that henceforth Monsieur Madeleine the mayor, with all his virtues, would seem to him abominable, whereas Jean Valjean the felon would be admirable and pure. Other men would see the mask, but the bishop would see the face; others would see the life, but he would see his soul. So there was nothing for it but to go to Arras and rescue the false Jean Valjean by proclaiming the true one. The most heartrending of sacrifices, the most poignant of victories, the ultimate, irretrievable step - but it had to be done. It was his most melancholy destiny that he could achieve sanctity in the eyes of God only by returning to degradation in the eyes of men.”