“Both those taking snaps and documentary photographers, however, have not understood 'information.' What they produce are camera memories, not information, and the better they do it, the more they prove the victory of the camera over the human being.”

“THE MAN WITH A MOVIE CAMERA(1929) the 'honesty' of documentary as compared with fiction film, the 'perfection' of the cinematic eye compared with human eye.”

“There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper. . . . In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face.”

“No photographer is as good as the simplest camera. ”

“On clubbers: They were all photographing themselves. In fact, that's all they seemed to be doing. Standing around in expensive clothes, snapping away with phones and cameras. One pose after another, as though they needed to prove their own existence, right there, in the moment. Crucially, this seemed to be the reason they were there in the first place. There was very little dancing. Just pouting and flashbulbs.”

“If we human beings are information processing machines, reading X's & O's and translating that information into what people oh so breathlessly call "experience", & if I had not only the information but the artistry to shape that information using the computer inside my brain, then, technically speaking, was I not having all the same experiences those other people were having?”