“I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language.”

“It doesn't really matter what chords I play, what words I say or time of day it is, as it's only a Northern Song.”

“I don't know what I'm saying, really, but I guess it's like having a kid, though I don't have any kids. It's yours, you made it, and no matter what happens, you have that pride of ownership. You love it, even it it didn't amount to much.”

“When I heard your organization was recording testimonies, I knew I had to come. She died in my arms, saying 'I don't want to die.' That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.”

“With educated people, I suppose, punctuation is a matter of rule; with me it is a matter of feeling. But I must say I have a great respect for the semicolin; it's a useful little chap”

“He says, "But it is really whatever, you know? You've saved me way more times. And we call ourselves friends."It doesn't matter what we call ourselves, really. "You already saved me," I say."That was nothing.""I'm not talking about the cave."He wrinkles his nose."That first day," I say, "When you got up on the rocks to flirt with a human boy."He smiles big, with all his ground-down teeth shining.”