“A learned man is a sedentary, concentrated solitary enthusiast, who searches through books to discover some particular grain of truth upon which he has set his heart. If the passion for reading conquers him, his gains dwindle and vanish between his fingers. A reader, on the other hand, must check the desire for learning at the outset; if knowledge sticks to him well and good, but to go in pursuit of it, to read on a system, to become a specialist or an authority, is very apt to kill what suits us to consider the more humane passion for pure and disinterested reading.”

“Each has his past shut in him like the leaves of a book known to him by heart and his friends can only read the title.”

“But what might be written in the book which had rounded its edges off in his pocket, she did not know. What he thought they none of them knew. But he was absorbed in it, so that when he looked up, as he did now for an instant, it was not to see anything; it was to pin down some thought more exactly. That done, his mind flew back again and he plunged into his reading. He read, she thought, as if he were guiding something, or wheedling a large flock of sheep, or pushing his way up and up a single narrow path; and sometimes he went fast and straight, and broke his way through the bramble, and sometimes it seemed a branch struck at him, a bramble blinded him, but he was not going to let himself be beaten by that; on he went, tossing over page after page.”

“If it is true that there are books written to escape from the present moment, and its meanness and its sordidity, it is certainly true that readers are familiar with a corresponding mood. To draw the blinds and shut the door, to muffle the noises of the street and shade the glare and flicker of its lights—that is our desire. There is then a charm even in the look of the great volumes that have sunk, like the “Countess of Pembroke’s Arcadia”, as if by their own weight down to the very bottom of the shelf. We like to feel that the present is not all; that other hands have been before us, smoothing the leather until the corners are rounded and blunt, turning the pages until they are yellow and dog’s-eared. We like to summon before us the ghosts of those old readers who have read their Arcadia from this very copy—Richard Porter, reading with the splendours of the Elizabethans in his eyes; Lucy Baxter, reading in the licentious days of the Restoration; Thos. Hake, still reading, though now the eighteenth century has dawned with a distinction that shows itself in the upright elegance of his signature. Each has read differently, with the insight and the blindness of his own generation. Our reading will be equally partial. In 1930 we shall miss a great deal that was obvious to 1655; we shall see some things that the eighteenth century ignored. But let us keep up the long succession of readers; let us in our turn bring the insight and the blindness of our own generation to bear upon the “Countess of Pembroke’s Arcadia”, and so pass it on to our successors.”

“No passion is stronger in the breast of a man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high.”

“A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the palsied or the dying. But worse was to come. For once the disease of reading has laid hold upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing.”

“To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions—there we have none.”