“All looked distant and peaceful and strange. The shore seemed refined, far away, unreal. Already the little distance they had sailed had put them far from it and given it the changed look, the composed look, of something receding in which one has no longer any part.”

“Part of the far shore disappeared into a shimmer that looked like water. There was no certainty in seeing, no proof that what you saw was there or was not there. And the people of the Gulf expected all places were that way, and it was not strange to them.”

“But he could not help it. No one can help it. One is a realist. One has put up with it all ever since childhood; one has had the courage to look it full in the eye, possibly courage enough to look it in the eye all one's life long. Then one day the distances beckon with their floating possibilities, and in one's hands are the admission tickets, two slips of blue paper. One is a realist no longer. One has finished putting up with it all, one no longer has the courage to look it in the eye, one is in the power of beckoning hospitable distances, floating possibilities, perhaps forever afterwards. Perhaps one's life is over.”

“The words 'far, far away' had always a strange charm.”

“Two little dark figures, looking up. Are they looking at me? Is is him? This far away there's only one way to know. I point to the sky.”

“The little boy was looking for his voice.(The king of the crickets had it.)In a drop of waterthe little boy was looking for his voice.I do not want it for speaking with;I will make a ring of itso that he may wear my silenceon his little fingerIn a drop of waterthe little boy was looking for his voice.(The captive voice, far away,put on a cricket's clothes.)- The Little Mute BoyTranslated by William S. Merwin”