“He looked very old. He looked, James thought, getting his head now against the Lighthouse, now against the waste of waters running away into the open, like some old stone lying on the sand; he looked as if he had become physically what was always at the back of both of their minds—that loneliness which was for both of them the truth about things.”

“The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now—James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it?No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too.”

“But what might be written in the book which had rounded its edges off in his pocket, she did not know. What he thought they none of them knew. But he was absorbed in it, so that when he looked up, as he did now for an instant, it was not to see anything; it was to pin down some thought more exactly. That done, his mind flew back again and he plunged into his reading. He read, she thought, as if he were guiding something, or wheedling a large flock of sheep, or pushing his way up and up a single narrow path; and sometimes he went fast and straight, and broke his way through the bramble, and sometimes it seemed a branch struck at him, a bramble blinded him, but he was not going to let himself be beaten by that; on he went, tossing over page after page.”

“For they might be parted for hundreds of years, she and Peter; she never wrote a letter and his were dry sticks; but suddenly it would come over her, If he were with me now what would he say? --some days, some sights bringing him back to her calmly, without the old bitterness; which perhaps was the reward of having cared for people; they came back in the middle of St. James's Park on a fine morning--indeed they did.”

“He was drowned, he used to say, and lying on a cliff with gulls screaming over him. He would look over the edge of the sofa down into the sea. Or he was hearing music… But “Lovely!” he used to cry and the tears would run down his cheeks, which was to her the most dreadful thing of all, to see a man like Septimus, who had fought, who was brave, crying. And he would lie listening until suddenly he would cry that he was falling down, down into the flames!”

“He soon perceived, however, that the battles which Sir Miles and therest had waged against armed knights to win a kingdom, were not half soarduous as this which he now undertook to win immortality against theEnglish language. Anyone moderately familiar with the rigours of compositionwill not need to be told the story in detail; how he wrote and it seemedgood; read and it seemed vile; corrected and tore up; cut out; put in; wasin ecstasy; in despair; had his good nights and bad mornings; snatched atideas and lost them; saw his book plain before him and it vanished; actedhis people's parts as he ate; mouthed them as he walked; now cried; nowlaughed; vacillated between this style and that; now preferred the heroicand pompous; next the plain and simple; now the vales of Tempe; then thefields of Kent or Cornwall; and could not decide whether he was the divinestgenius or the greatest fool in the world.”

“Look, the unseen bade him, the voice which now communicated with him who was the greatest of mankind, Septimus, lately taken from life to death, the Lord who had come to renew society, who lay like a coverlet, a snow blanket smitten only by the sun, for ever unwasted, suffering for ever, the scapegoat, the eternal sufferer, but he did not want it, he moaned, putting from him with a wave of his hand that eternal suffering, that eternal loneliness.”