“He was drowned, he used to say, and lying on a cliff with gulls screaming over him. He would look over the edge of the sofa down into the sea. Or he was hearing music… But “Lovely!” he used to cry and the tears would run down his cheeks, which was to her the most dreadful thing of all, to see a man like Septimus, who had fought, who was brave, crying. And he would lie listening until suddenly he would cry that he was falling down, down into the flames!”

“He would look over the edge of the sofa down into the sea.”

“And it was cowardly for a man to say he would kill himself, but Septimus had fought; he was brave; he was not Septimus now”

“As a teenager in Brooklyn Quentin had often imagined himself engaged in martial heroics, but after this he knew, as a cold immutable fact, that he would do anything necessary, sacrificing whatever or whomever he had to, to avoid risking exposure to physical violence. Shame never came into it. He embraced his new identity as a coward. He would run in the other direction. He would lie down and cry and put his arms over his head or play dead. It didn't matter what he had to do, he would do it and be glad.”

“He felt something trickle down his face and he wiped it away irritably. When he looked at the back of his hand, he found trails of red. He had never cried in his life; in fact, he could not cry with no tear ducts. But now, at last, he was. He was crying tears of blood. For her.”

“and when he saw the kid standing there looking looking down at him he held out to him his bloodied hands as if in accusation and then clapped them to his ears and cried out what it seemed he himself would not hear, a howl of such outrage as to stitch a caesura in the pulsebeat of the world.”