“...she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored?”

“Sitting on the floor with her arms round Mrs Ramsay’s knees, close as she could get, smiling to think that Mrs Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored?”

“I don't think there is a woman in the world who would not be a little flattered if one made love to her. It is that which makes women so irresistibly adorable.”

“One should never trust a woman who tells one her real age. A woman who would tell one that would tell one anything.”

“The message, which one fall or another of the coin would eventually give him, was how to get himself out of his chamber and into Nepenthe's, so that he could tell her why he had not come to tell her why he had not come.”

“What well-bred woman would refuse her heart to a man who had just saved her life? Not one; and gratitude is a short cut which speedily leads to love.”