“To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.”

“I went from one to the other holding my sorrow - no, not my sorrow but theincomprehensible nature of this our life - for their inspection. Some people goto priests; others to poetry; I to my friends, I to my own heart, I to seek amongphrases and fragments something unbroken - I to whom there is no beauty enough in moon or tree; to whom the touch of one person with another is all,yet who cannot grasp even that, who am so imperfect, so weak, sounspeakably lonely.”

“I am not sinuous or suave; I sit among you abrading your softness with my hardness, quenching the silver-grey flickering moth-wing quiver of words with the green spurt of my clear eyes.”

“I to my friends, to my own heart, I to seek among phrases and fragments something unbroken.”

“I ask now, standing with my scissors among my flowers, Where can the shadow enter? [. . .] I am sick of the body, I am sick of my own craft, industry and cunning, of the unscrupulous ways of the mother who protects, who collects under her jealous eyes at one long table her own children, always her own.”

“No, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low.”

“So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words.”