“The French abhor drafts. They do not like the feel of the courant d'air , which is why they do not take it kindly when a foreigner opens a window on a train or a bus, which is probably why all the windows on the bus to Giverny were locked. Never think that, when you let in some fresh air in France, the natives won't hate you for it.”

“Why was I standing on the street when the window feel out of the building? Why did the bus run over me? Because it was my turn in the barrel, that's why.”

“Hated France when I first got over here. Got on the train at Le Havre, and looked out of the window and thought it looked so exactly like America, I wanted to cry. The scenery flying past, the hills and barns and cows, were just the sort of things you keep coming across through a train window in the States. The Untrained Eye, I told myself, training it enough to see that all the signs were written in French, at the same time letting the untrained nose get its first exotic whiff of garlic from my traveling companions, and the untrained stomach its first attack of French dysentery. But still, these were the only differences. I asked myself finally what exactly did I expect France to look like? No answer.”

“People believe that madness is when you don't think as they do, which is why they take me for a madman.”

“Bessie: 'Why don't you get married?'Zooey: 'I like riding in trains too much. You never get to sit next to the window anymore when you're married.”

“Why do you like books so much?” he asked. Miles answered without taking his face away from the window. “You never know what you’ll learn when you open one. And if it’s a story, you sort of fall into it. Then you live there for a while, instead of, you know, living here.”