“Although I am capable, through long dabbling in blue magic, of imitating any prose in the world (but singularly enough not verse—I am a miserable rhymester), I do not consider myself a true artist, save in one matter: I can do what only a true artist can do—pounce upon the forgotten butterfly of revelation, wean myself abruptly from the habit of things, see the web of the world, and the warp and the weft of that web.”

“do what only a true artist can do ... pounce upon the forgotten butterfly of revelation”

“. . . and in the end the logical thing would be to give up and I would give up if I were laboring for a reader today, but as there is in the world not a single human who can speak my language; or, more simply, not a single human who can speak; or, even more simply, not a single human; I must think only of myself, of that force which urges me to express myself. I repeat: there is something I know, there is something I know, there is something...”

“No, I have as yet said nothing, or, rather, said only bookish words... and in the end the logical thing would be for me to give up and I would give up if I were labouring for a reader existing today, but as there is in the world not a single human who can speak my language; or, more simply, not a single human who can speak; or, even more simply, not a single human; I must think only of myself, of that force which urges me to express myself.”

“What can be sadder than a discouraged artist dying not from his own commonplace maladies, but from the cancer of oblivion?”

“I swear I am happy. I have realized that the only happiness in this world is to observe, to spy, to watch, to scrutinize oneself and others, to be nothing but a big, slightly vitreous, somewhat bloodshot, unblinking eye. I swear that this is happiness.”

“I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. Let visitors trip. And the highest enjoyment of timelessness―in a landscape selected at random―is when I stand among rare butterflies and their food plants. This is ecstasy, and behind the ecstasy is something else, which is hard to explain. It is like a momentary vacuum into which rushes all that I love. A sense of oneness with sun and stone. A thrill of gratitude to whom it may concern―to the contrapuntal genius of human fate or to tender ghosts humoring a lucky mortal.”