“I have rewritten — often several times — every word I have ever published. My pencils outlast their erasers.”

“Oh, my Lolita, I have only words to play with!”

“a person hoping to become a poet must have the capacity of thinking of several things at a time.”

“In spite of everything I loved you, and will go on loving you―on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck―even then. And afterwards―perhaps most of all afterwards―I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B... without looking, or, without lifting the pencil... or in some other way... we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.”

“Stilletos of a frozen stillicide [...] In the lovely line heading this comment the reader should note the last word. My dictionary defines it as 'a succession of drops falling from the eaves, eavesdrop, cavesdrop.' I remember having encountered it for the first time in a poem by Thomas Hardy. The bright frost has eternalized the bright eavesdrop.”

“I know more than I can express in words, and the little I can express would not have been expressed, had I not known more.”

“Between the ages of ten and fifteen in St. Petersburg, I must have read more fiction and poetry—English, Russian and French—than in any other five-year period of my life. I relished especially the works of Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Chekhov, Tolstoy, and Alexander Blok. On another level, my heroes were the Scarlet Pimpernel, Phileas Fogg, and Sherlock Holmes. In other words, I was a perfectly normal trilingual child in a family with a large library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several—Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke—have lost the glamour and thrill they held for me. The others remain intact and by now are probably beyond change as far as I am concerned.”