“I was weeping again, drunk on the impossible past.”

“You see - the moulded whimsy of a friezeon a portico keeps us from recognizing,sometimes, the symmetry of the whole...You will leave; we'll forget one another;but now and then the name of a street,or a street organ weeping in the twilight,will remind us in a more vivid and moretruthful way than thought could resurrector words convey, of that main thingwhich was between us, the main thing whichwe do not know ... And in that hour, the soulwill miraculously sense the charmof past trifles, and we will understandthat in eternity all is eternal”

“We all admire the spangled acrobat with classic grace meticulously walking his tight rope in the talcum light; but how much rarer art there is in the sagging rope expert wearing scarecrow clothes and impersonating a grotesque drunk! I should know.”

“As to the past, I would not mind retrieving from various corners of space-time certain lost comforts, such as baggy trousers and long, deep bathtubs.”

“You couldn't get more original than Laura. Laura. Yes, she was an original, all right. One of a kind. Did they break her mold or what, pal? Or...or did it self-destruct? Still, Laura. The one and the only. Such a plain name for a unique cutie. But perhaps my acuity is not without its problems. I ruin everything: a stupid story to be tapped out on my tomb's stone. I ruined even Laura. And an original ruin is rare. Just ask the archaeologist, "Egypt, again?" Just ask me, "Laura, again?" and we'll both respond: "Yes, again and again. And again.”

“One is always at home in one's past...”

“The act of vividly recalling a patch of the past is something that I seem to have been performing with the utmost zest all my life, and I have reason to believe that this almost pathological keenness of the retrospective faculty is a hereditary trait.”