“…my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely on your own”; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling’s mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions…”

“And I still have other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski; some local schoolboy she knew, talk about music, my Lolita remarked:'You know what's so dreadful about dying is that you're completely on your own'; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions...”

“You know, what's so dreadful about dying is that you are completely on your own.”

“Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.”

“Lolita: Oh my Carmen, my little Carmen…Humbert: Charmin’ Carmen. Started garglin’Lolita: I remember those sultry nightsHumbert: Those pre-raphaelitesLolita: No, come on. And the stars and the cars and the bars and the barmen.Humbert: And the bars that sparkled and the cars that parkled…And the curs that barkled and the birds that larkled.Lolita: And oh my charmin, our dreadful fightsHumbert: Such dreadful blightsLolita: And the something town where arm in…arm, we went, and our final row, and the gun I killed you with, o my Carmen…the gun I am holding now”

“A moment later I heard my sweetheart running up the stairs. My heart expanded with such force that it almost blotted me out. I hitched up the pants of my pajamas, flung the door open: and simultaneously Lolita arrived, in her Sunday frock, stamping, panting, and the she was in my arms, her innocent mouth melting under the ferocious pressure of dark male jaws, my palpitating darling!”

“Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.”