“I want to burn with the spirit of the times. I want all servants of the stage to recognize their lofty destiny. I am disturbed at my comrades' failure to rise above narrow caste interests which are alien to the interests of society at large. Yes, the theatre can play an enormous part in the transformation of the whole of existence.”

“I wanted to say, with as much sarcasm as I could put into my voice, "Sir, your poem is both original and interesting, but the part that is interesting is not original, and the part that is original is not interesting." But all I said was, "Not bad, you need to work on it some more.”

“I am not a snob; it is simply that I am not interested with what most people have to say, or what they want to do — mostly with my time.”

“I don't want you to be interested in my life. I want you to be interested in me.”

“I don't want to express alienation. It isn't what I feel. I'm interested in various kinds of passionate engagement. All my work says be serious, be passionate, wake up.”

“Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars—to be a part of a scene, anonymous, listening, recording—all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...”