“It gives him spiritual freedom. To him life is a tragedy and by his gift of creation he enjoys the catharsis a purging of pity and terror, Which Aristotle tells is the object of art. Everything is transformed by his power into material and by writing it he can overcome it. Everything is grist to his mill. ... The artist is the only free man.”

“He wants in His freedom actually not to be without man but WITH him and in the same freedom not against him but FOR him, and that apart from or even counter to what man deserves. He wants in fact to be man's partner, his almighty and compassionate Saviour. He chooses to give man the benefit of His power, which encompasses not only the high and the distant but also the deep and the near, in order to maintain communion with him in the realm guaranteed by His deity. He determines to love him, to be his God, his Lord, his compassionate Preserver and Saviour to eternal life, and to desire his praise and service.”

“As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life?Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. […] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? […] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal.”

“To the average man, life presents itself, not as material malleable to his hand, but as a series of problems…which he has to solve…And he is distressed to find that the more means he can dispose of—such as machine-power, rapid transport, and general civilized amenities, the more his problems grow in hardness and complexity….Perhaps the first thing he can learn form the artists is that the only way of 'mastering' one's material is to abandon the whole conception of mastery and to co-operate with it in love: whosoever will be a lord of life, let him be its servant. ”

“man is free, in so far as he has the power of contradicting himself and his essential nature. Man is free even from his freedom; that is, he can surrender his humanity”

“His kisses were gifts. He kissed with everything he had, with power and passion and hunger and love. He held nothing back, giving everything, exposing everything.”