“It must be that there is something naturally absurd in a sincere emotion, though why there should be I cannot imagine, unless it is that man, the ephemeral inhabitant of an insignificant planet, with all his pain and all his striving is but a jest in an eternal mind. ”

“A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.”

“Ye cannot find out the depth of the heart of man, neither can ye perceive the things that he thinketh; then how can ye search out God, that hath made all these things, and know His mind, or comprehend His purpose?”

“Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination.”

“He lit his pipe again, smiling to himself quietly, with that painful smile of his, as though he were enjoying a joke that hurt him.”

“I adore good food as I adore all the other pleasant things of life, and because I have that gift I am able to look upon the future with equanimity.”“Why?” asked Alec.“Because a love for good food is the only thing that remains with man when he grows old. Love? What is love when you are five and fifty and can no longer hide the disgraceful baldness of your pate. Ambition? What is ambition when you have discovered that honours are to the pushing and glory to the vulgar. Finally we must all reach an age when every passion seems vain, every desire not worth the trouble of achieving it; but then there still remain to the man with a good appetite three pleasures each day, his breakfast, his luncheon, and his dinner.”

“All sensible people know that vanity is the most devastating, the most universal, and the most ineradicable of the passions that afflict the soul of man, and it is only vanity that makes him deny its power. It is more consuming than love. With advancing years, mercifully, you can snap your fingers at the terror and the servitude of love, but age cannot free you from the thraldom of vanity. Time can assuage the pangs of love, but only death can still the anguish of wounded vanity. Love is simple and seeks no subterfuge, but vanity cozens you with a hundred disguises. It is part and parcel of every virtue: it is mainspring of courage and the strength of ambition; it gives constancy to the lover and endurance to the stoic; it adds fuel to the fire of the artist's desire for fame and is at once the support and the compensation of the honest man's integrity; it leers even cynically in the humility of the saint. You cannot escape it, and should you take pains to guard against it, it will make use of those very pains to trip you up. You are defenseless against its onslaught because you know not on what unprotected side it will attack you. Sincerity cannot protect you from its snare nor humour from its mockery.[His Excellency]”