“Thought Experiment: You are a native of New York City, you live in New York, work in New York, travel about the city with no particular emotion except a mild boredom, unease, exasperation, and dislike especially for, say, Times Square and Brooklyn, and a longing for a Connecticut farmhouse. Later you become an astronaut and wander in space for years. You land on a strange, unexplored (you think) planet. There you find a road sign with an arrow, erected by a previous astronaut in the manner of GIs in World War II: 'Brooklyn 9.6 light-years.' Explain your emotion.”

“New York is Babylon : Brooklyn is the truly Holy City.New York is the city of envy, office work, and hustle;Brooklyn is the region of homes and happiness….There is no hope for New Yorkers, for their glory inTheir skyscraping sins; but in Brooklyn there is the wisdom of the lowly.”

“Yes, interest! The worm of interest. Are you surprised? No? Yes? One conclusion I have reached here after a year in my cell is that the only emotion people feel nowadays is interest or the lack of it. Curiosity and interest and boredom have replaced the so-called emotions we used to read about in novels or see registered on actors' faces. Even the horrors of the age translate into interest. Did you ever watch anybody pick up a newspaper and read the headline PLANE CRASH KILLS THREE HUNDRED? How horrible! says the reader. But look at him when he hands you the paper. Is he horrified? No, he is interested. When is the last time you saw anybody horrified?”

“LA is the me city, Ruby said, and New York is the you city. In LA it's fuck me. In New York it's fuck you.”

“Thought Experiment: Imagine that you are Johnny Carson and find yourself caught in an intolerable one-on-one conversation at a cocktail party from which there is no escape. Which of the two following events would you prefer to take place: (1) That the other person become more and more witty and charming, the music more beautiful, the scene transformed to a villa at Capri on the loveliest night of the year, while you find yourself more and more at a loss; or (2) that you are still in Beverly Hills and the chandeliers begin to rattle, a 7.5 Richter earthquake takes place, and presently you find yourself and the other person alive and well, and talking under a mound of rubble.If your choice is (2), explain why it is possible for a true conversation to take place under the conditions of (2) but not (1).”

“Dublin housing prices are a lot like New York ones, except that in New York, you get New York for your money.”

“But the expectation of the self, to be informed in its nothingness--if only I can get out of this old place and into the right new place, I can become a new person--places a heavy burden on travel.”