“I started writing because of a terrible feeling of powerlessness," the novelist Anita Brookner has said. The National Book Award winner Alice McDermott noted that the most difficult thing about becoming a writer was convincing herself that she had anything to say that people would want to read. "There's nothing to writing," the columnist Red Smith once commented. "All you do is sit down at a typewriter and open a vein.”
"I started writing because of a terrible feeling of powerlessness," the novelist Anita Brookner has said. The National Book Award winner Alice McDermott noted that the most difficult thing about becoming a writer was convincing herself that she had anything to say that people would want to read. "There's nothing to writing," the columnist Red Smith once commented. "All you do is sit down at a typewriter and open a vein.” - Wally Lamb".
In this quote, Wally Lamb provides insight into the motivations and struggles of various writers. Anita Brookner reveals that she began writing as a way to combat her feelings of powerlessness. Alice McDermott admits to grappling with self-doubt about the value of her own words. The columnist Red Smith, on the other hand, emphasizes the emotional and vulnerable aspect of writing, likening it to opening up a vein. These quotes shed light on the complex and often personal reasons behind why individuals choose to become writers, highlighting the deep-seated emotions and doubts that accompany the creative process.
Many writers have expressed feelings of powerlessness before turning to writing as a way to express themselves and find a sense of purpose. Despite the doubts and struggles faced by writers, the act of writing can be a cathartic and empowering experience. As Anita Brookner, Alice McDermott, and Red Smith have all noted in their own ways, writing can be a way to open up and share one's innermost thoughts and feelings with others. In our modern world, where people are constantly seeking connection and understanding, the power of writing remains as relevant as ever. Whether it's through novels, columns, or personal essays, the act of writing continues to be a powerful tool for self-expression and communication.
As you reflect on the different perspectives on writing from Anita Brookner, Alice McDermott, and Red Smith, consider the following questions:
How has the feeling of powerlessness or doubt played a role in your own writing journey? Have you experienced moments of self-doubt or feelings of inadequacy as a writer?
Do you agree with Red Smith's notion that writing requires opening a vein, or do you have a different perspective on what writing entails? How do you personally approach the act of writing?
In what ways do you think the challenges and difficulties discussed by these writers can be overcome or navigated in your own writing practice? How can you channel feelings of powerlessness or doubt into creative energy and motivation?
Reflect on your own motivations for writing. What drives you to put pen to paper or fingers to keyboard? How do you find inspiration and confidence in your writing voice and message?
“It's like there's this wave coming toward me, but there's nothing I can do about it. And then it reaches me, crashes over me and...and I'm done for another day. I just give up. Give in to it. Because how do you stop a wave?You don't. And you're wise to recognize your powerlessness to do so. But what you can do is learn how to negotiate this wave. Work within the context of its inevitability.”
“Most helpful, Mr. Caelum," she said. "Very, very useful information. And now, shall we hear from Saint Augustine?"I shrugged. "Why not?" I saidDr. P read from a blood-red leather book. "My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?"She closed the book, then reached across the table and took Maureen's hand in hers. "Does that passage speak to you?" she asked. Mo nodded and began to cry. "And so, Mr. Caelum, good-bye."Because the passage had spoken to me, too, it took me a few seconds to react. "Oh," I said. "You want me to leave?""I do. Yes, yes.”
“Zinnia always wants to hug me and pat me because she has a boy my same age named Melvin. I said maybe some day Melvin could come play at our farm, and I could bring him to the maze and show him the shortcuts. Zinnia started crying. That’s when I seen that she has freckles.”
“People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.”
“If I could just write it down in a piece of paper, then maybe she could get a decent night's sleep, eat a little of her dinner. Maybe she could have a minute's worth of peace.”
“Joy said she hadn't really understood the meaning of life until Tyffanie had come along, but now she understood it perfectly. Well, great, I felt like saying. Make sure you share the news with Plato and Kierkegaard and all those other philosophers who'd banged their heads against the wall, trying to figure things out.”