“So [Steve Jobs] had the Pixar building designed to promote encounters and unplanned collaborations ... "to make people get out of their offices and mingle in the central atrium with people they might not otherwise see." The front doors and main stairs and corridors all led to the atrium, the cafe and the mailboxes were there, the conference rooms had windows that looked out onto it, and the six-hundred-seat theater and two smaller screening rooms all spilled into it. "Steve's theory worked from day one, "Lasseter recalled. "I kept running into people I hadn't seen for months. I've never seen a building that promoted collaboration and creativity as well as this one.”

“I like to believe that people in the long run are going to do more to promote peace than our governments. Indeed, I think that people want peace so much that one of these days governments had better get out of the way and let them have it.”

“Collaborating on a film script involves two people sitting in a room separated by the silence of two minds working together.”

“If Dylan and I had metby chatting on the Netin a room of cyberspaceinstead of face to faceand I hadn't seen his lipsor the way he moves his hipswhen he does that sexy danceand I hadn't had a chanceto look into his eyesand be dazzled by their sizeand all that I had seenwere his letters on my screen,then I might as well confess:I think I would have liked himless.”

“Dad's office was actually one of the smaller rooms at Thorne. Inside was pretty nice,though. There was a cherrywood desk and ivory carpets, plus comfortable leather chairs and sturdy-looking bookshelves. He also had nice view of the river.Dad was at his desk when I opened the door, doing what all British people do when they're freaked out: drinking tea.”

“Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here“; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter—even trees, or barns.”