“So the platonic YearWhirls out new right and wrong,Whirls in the old instead;All men are dancers and their treadGoes to the barbarous clangour of a gong.”

“IIIThose masterful images because completeGrew in pure mind, but out of what began?A mound of refuse or the sweepings of a street,Old kettles, old bottles, and a broken can,Old iron, old bones, old rags, that raving slutWho keeps the till. Now that my ladder's gone,I must lie down where all the ladders startIn the foul rag and bone shop of the heart.”

“...Those masterful images because completeGrew in pure mind, but out of what began?A mound of refuse or the sweepings of a street,Old kettles, old bottles, and a broken can,Old iron, old bones, old rags, that raving slutWho keeps the till. Now that my ladder's gone,I must lie down where all the ladders startIn the foul rag and bone shop of the heart.”

“As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.”

“O chestnut-tree, great-rooted blossomer,Are you the leaf, the blossom or the bole?O body swayed to music, O brightening glance,How can we know the dancer from the dance?”

“In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")”

“There was a man whom Sorrow named his Friend,And he, of his high comrade Sorrow dreaming,Went walking with slow steps along the gleamingAnd humming Sands, where windy surges wend:And he called loudly to the stars to bendFrom their pale thrones and comfort him, but theyAmong themselves laugh on and sing alway:And then the man whom Sorrow named his friendCried out, Dim sea, hear my most piteous story.!The sea Swept on and cried her old cry still,Rolling along in dreams from hill to hill.He fled the persecution of her gloryAnd, in a far-off, gentle valley stopping,Cried all his story to the dewdrops glistening.But naught they heard, for they are always listening,The dewdrops, for the sound of their own dropping.And then the man whom Sorrow named his friendSought once again the shore, and found a shell,And thought, I will my heavy story tellTill my own words, re-echoing, shall sendTheir sadness through a hollow, pearly heart;And my own talc again for me shall sing,And my own whispering words be comforting,And lo! my ancient burden may depart.Then he sang softly nigh the pearly rim;But the sad dweller by the sea-ways loneChanged all he sang to inarticulate moanAmong her wildering whirls, forgetting him.”