“A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.”

“Throughout my life as I’ve sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans. These were people who had, like generations before them, bought into the mythology of racism: black people don’t read. Black people can’t write. Black people have no talents other than singing and dancing and sports and crime. No one wants to read about black people, so don’t write about them. No one wants to write about black people, which is why you never see a black protagonist. Even if you self-publish, black people won’t support you. And if you aim for traditional publication, no one who matters — that is, white people — will buy your work.(A corollary of all this: there is only black and white. Nothing else matters.)Having swallowed these ideas, people regurgitated them at me at nearly every turn. And for a time, I swallowed them, too. As a black woman, I believed I wasn’t supposed to be a writer. Simultaneously I believed I was supposed to write about black people — and only black people. And only within a strictly limited set of topics deemed relevant to black people, because only black people would ever read anything I’d written. Took me years after I started writing to create a protagonist who looked like me. And then once I started doing so, it took me years to write a protagonist who was something different.”

“Being a reader is how I choose to spend my life, every aspect of it, inside and outside of the classroom. I often wonder whether my identity as a reader, someone who reads voraciously and always has a book recommendation, is all I have to offer. That may be true, but it is an oversimplification. How can I express the extent to which reading has shaped who I am as a human being? Although I see myself as kind, I am not a demonstrative person. If I have ever brought you a book unasked for, know that I cared. I said everything to you that I wanted with that book. I have enough wisdom to acknowledge that an author’s words are more eloquent than my own. When we meet and I discover that we have read and loved the same books, we are instant friends. We know a great deal about each other already if we both read. I imagine this is why I strive so hard to get people around me to read. If you don’t read, I don’t know how to communicate with you. I know this is a shortcoming. Perhaps my mother, who worried that reading would make me socially stunted, was half right. I can never express who I really am in my own words as powerfully as my books can.”

“There is a thought among some brands of theology that souls are waiting up in heaven to be born. Now how in the world anybody comes up with that is beyond me, and how you can be so sure of that is also beyond me. I always like to go back to Snoopy's theological writings, which he called, "Has It Ever Occurred to You That You Might Be Wrong." And that's the way I feel. These things fascinate me, and I like to talk about them with other people, and hear what they think. But I'm always a little bit leery of people who are sure that they're right about things that nobody's ever been able to prove, and never will be able to prove.”

“I write because it’s a way of puzzling out answers to situations in the world that I don’t understand. The act of writing a book gives me the same experience that I hope reading it gives readers. It forces me to sort through the various points of view on a given issue or situation and ultimately come to a conclusion. Doing that might not change my mind, but it almost always gives me a stronger sense of why my opinion is what it is—a question we rarely ask ourselves.”

“Books are essential to me. I cannot live without them, because I cannot live without reading.But, Arry has just said to me, you can always borrow them so why buy them?I don't buy books just to collect them. I'm not a collector. I'm not interested in them as objects that might be valuable one day, regardless of what they are about, nor do I want to own every book ever written by one particular author or on one particular subject. I buy them because I want to read them, and I keep them because I've read them.I can't afford to buy all the ones I'd like to, so I have to borrow quite a few, and this has taught me something about myself, which I haven't heard anyone else admit. When I've read a book which I really like, a book which MATTERS, I feel it belongs to me. I mean, the book itself, the copy I've read. It's as if I pour myself onto the pages as I read them, all my thoughts and emotions, so that by the time I've finished that copy holds inside it the essence of my reading.A borrowed book has to be returned, so I lose this essence of myself when I give it back. Besides which, a borrowed book has inside it something of everyone else who's read it. They've fingered it and pawed over it, breathed on it, done heaven knows what else as well as read it. And knowing this spoils my reading. The other readers get in my way. I can feel their presence on the cover and on the pages. They even make it smell differently from my own books. In fact, to my mind they've polluted the book and everything in it. That is also why I never buy second-hand books.”