“But once in a while the odd thing happens,Once in a while the dream comes true,And the whole pattern of life is altered,Once in a while the moon turns blue.”
“The desires of the heart are as crooked as corkscrewsNot to be born is the best for manThe second best is a formal orderThe dance's pattern, dance while you can.Dance, dance, for the figure is easyThe tune is catching and will not stopDance till the stars come down from the raftersDance, dance, dance till you drop.”
“Base words are uttered only by the baseAnd can for such at once be understood;But noble platitudes — ah, there's a caseWhere the most careful scrutiny is neededTo tell a voice that's genuinely goodFrom one that's base but merely has succeeded.”
“The Ogre does what ogres can,Deeds quite impossible for Man,But one prize is beyond his reach:The Ogre cannot master speech.About a subjugated plain,Among its desperate and slain,The Ogre stalks with hands on hips,While drivel gushes from his lips.”
“In actual fact, however, the revolt of Ibsen and Shaw against the conventional nineteenth century drama could very well be described as a return to Shakespeare, as an attempt once again to present human beings in their historical and social setting and not, as playwrights since the Restoration had done, either as wholly private or as embodiments of the social manners of a tiny class. Shakespeare’s plays, it is true, are not, in the Shavian sense, "dramas of thought," that is to say, not one of his characters is an intellectual: it is true, as Shaw says, that, when stripped of their wonderful diction, the philosophical and moral views expressed by his characters are commonplaces, but the number of people in any generation or society whose thoughts are not commonplace is very small indeed. On the other hand, there is hardly one of his plays which does not provide unending food for thought, if one cares to think about it.”
“The stars are not wanted now: put out every one;Pack up the moon and dismantle the sun;Pour away the ocean and sweep up the wood.For nothing now can ever come to any good.”
“Funeral Blues Stop all the clocks, cut off the telephone,Prevent the dog from barking with a juicy bone,Silence the pianos and with muffled drumBring out the coffin, let the mourners come.Let aeroplanes circle moaning overheadScribbling on the sky the message He is Dead,Put crêpe bows round the white necks of the public doves,Let the traffic policemen wear black cotton gloves.He was my North, my South, my East and West,My working week and my Sunday rest,My noon, my midnight, my talk, my song;I thought that love would last for ever: I was wrong.The stars are not wanted now; put out every one,Pack up the moon and dismantle the sun;Pour away the ocean and sweep up the wood;For nothing now can ever come to any good.”