“Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.”
“If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni.”
“An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.”
“The basic stimulus to the intelligence is doubt, a feeling that the meaning of an experience is not self-evident.”
“To make one, there must be two.”
“A.E.Housman'No one, not even Cambridge was to blame(Blame if you like the human situation):Heart-injured in North London, he becameThe Latin Scholar of his generation.Deliberately he chose the dry-as-dust,Kept tears like dirty postcards in a drawer;Food was his public love, his private lustSomething to do with violence and the poor.In savage foot-notes on unjust editionsHe timidly attacked the life he led,And put the money of his feelings onThe uncritical relations of the dead,Where only geographical divisionsParted the coarse hanged soldier from the don.”
“The practical joker despises his victims, but at the same time he envies them because their desires, however childish and mistaken, are real to them, whereas he has no desire which he can call his own. His goal, to make game of others, makes his existence absolutely dependent upon theirs; when he is alone, he is a nullity. Iago’s self-description, I am not what I am, is correct and the negation of the Divine I am that I am. If the word motive is given its normal meaning of a positive purpose of the self like sex, money, glory, etc., then the practical joker is without motive. Yet the professional practical joker is certainly driven, like a gambler, to his activity, but the drive is negative, a fear of lacking concrete self, of being nobody.”