“A staccato script of letters and digits beamed from an alternate world. Then they ceased communicating altogether. and began to liase in dreams and nightmares.”
“Well, it's like this," began Mother, "When you die you go and live in another part of London. And that's it." ~ North London Book of the Dead”
“But if this biography suggests a varied and sympathetic apprehension of the world, it was with a far darker palette that Céline came to paint his word-pictures when he began writing in the late 1920’s. Straightforward fear adumbrates his invective, which — despite the reputation he would later earn as a rabid anti-Semite — is aimed against all classes and races of people with indiscriminate abandon. Indeed, if “Ulysses” is the great modernist novel most inspired by a desire for humanistic inclusion, then “Journey” is its antithesis: a stream of misanthropic consciousness, almost unrelieved by any warmth or fellow-feeling.”
“Surely it doesn't have to be this way? Stretching up the hill ahead of me, I begin to see all of my future relationships, bearing me on and up like some escalator of the fleshly. Each step is a man, a man who will penetrate me with his penis and his language, a man who will make a little private place with me, secure from the world, for a month, or a week, or a couple of years.How much more lonely and driven is the serial monogamist than the serial killer?”
“If I were dying when I should've, say in the late sixties, when I thought my head would explode with howling misery, when every time their father opened his fat mouth I thought I'd have to kill him, then – then I would've written the girls affectionate letters, telling them of my sadness, and how much I loved them, and how sorry I was to be leaving them. Too late. They're here, they're grown-up, they're crap, and so we'll bicker towards oblivion.”
“I’ve taken to long-distance walking as a means of dissolving the mechanised matrix which compresses the space-time continuum, and decouples human from physical geography. So this isn’t walking for leisure -- that would be merely frivolous, or even for exercise -- which would be tedious. No, to underscore the seriousness of my project I like a walk which takes me to a meeting or an assignment; that way I can drag other people into my eotechnical world view. ‘How was your journey?’ they say. ‘Not bad,’ I reply. ‘Take long?’ they enquire. ‘About ten hours,’ I admit. ‘I walked here.’ My interlocutor goggles at me; if he took ten hours to get here, they’re undoubtedly thinking, will the meeting have to go on for twenty? As Emile Durkheim so sagely observed, a society’s space-time perceptions are a function of its social rhythm and its territory. So, by walking to the business meeting I have disrupted it just as surely as if I’d appeared stark naked with a peacock’s tail fanning out from my buttocks while mouthing Symbolist poetry.”
“She began to take exercise far too late, embarking on tiny cycling tours to music festivals, or flower shows, or doing the rounds of churches – there were so many spires in her uninspiring adopted home. Three kids, one episiotomy, two continents, many phobias, lots of depressions. Old fat lady's underwear. It was all a curse upon cycling, which she'd taken up for what reason? Believe it or not, not even the bulbous seventies there were still bulbous, middle-aged women such as she, who thought that the principle of cycling meant something. They cycled and they ate in health-food restaurants like Cranks or Ceres, their cussedness aimed at appeasing the Earth Goddess herself. They almost fucking overdosed on grated carrot; while sipping fucking prune juice. They invented being environmentally-conscious, with their vegetable-buying co-operatives which gave them an excuse to put gumboots on in town.”