“But if this biography suggests a varied and sympathetic apprehension of the world, it was with a far darker palette that Céline came to paint his word-pictures when he began writing in the late 1920’s. Straightforward fear adumbrates his invective, which — despite the reputation he would later earn as a rabid anti-Semite — is aimed against all classes and races of people with indiscriminate abandon. Indeed, if “Ulysses” is the great modernist novel most inspired by a desire for humanistic inclusion, then “Journey” is its antithesis: a stream of misanthropic consciousness, almost unrelieved by any warmth or fellow-feeling.”

“She began to take exercise far too late, embarking on tiny cycling tours to music festivals, or flower shows, or doing the rounds of churches – there were so many spires in her uninspiring adopted home. Three kids, one episiotomy, two continents, many phobias, lots of depressions. Old fat lady's underwear. It was all a curse upon cycling, which she'd taken up for what reason? Believe it or not, not even the bulbous seventies there were still bulbous, middle-aged women such as she, who thought that the principle of cycling meant something. They cycled and they ate in health-food restaurants like Cranks or Ceres, their cussedness aimed at appeasing the Earth Goddess herself. They almost fucking overdosed on grated carrot; while sipping fucking prune juice. They invented being environmentally-conscious, with their vegetable-buying co-operatives which gave them an excuse to put gumboots on in town.”

“Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality.”

“I explained to him - as I withdrew the cup, ripped open the sachet and dunked the tea bag - that tea was an infusion, which meant that it was vital for the water to be actually boiling when it came into contact with the leaves. He looked at me furiously... I had behaved like this many times before: taking Canute's stance in the path of the great surge of ill-brewed tepid tea that was inundating England.”

“It’s like that, isn’t it? Just as Raymond Chandler says, ‘The first kiss is dynamite, the second is routine and then you take her clothes off,’ It had been like that for Alan in his previous affairs, even the extended one he had had with Sybil while Naomi was pregnant. Sure, Alan went on enjoying sex with Sybil, but at a fundamental level his lust for her had died the very first time he felt the shock of her pubic bone against his, and knew that they were now truly welded into one another. Alan was a one-thrust man. Not that he’d ever been exactly promiscuous. Perhaps it would have been better for all concerned if he had been. Rather, his sentiment self-absorption had managed to gild each of these terminal thrusts with enough self-regarding burnish for him to sustain the ‘relationships’ that legitimised them for months; and in at least two instances, for years. ”

“The cynics are correct the sense of freewill is only that feeling which we have when we take the necessitated option that most appeals to us.”

“I’ve taken to long-distance walking as a means of dissolving the mechanised matrix which compresses the space-time continuum, and decouples human from physical geography. So this isn’t walking for leisure -- that would be merely frivolous, or even for exercise -- which would be tedious. No, to underscore the seriousness of my project I like a walk which takes me to a meeting or an assignment; that way I can drag other people into my eotechnical world view. ‘How was your journey?’ they say. ‘Not bad,’ I reply. ‘Take long?’ they enquire. ‘About ten hours,’ I admit. ‘I walked here.’ My interlocutor goggles at me; if he took ten hours to get here, they’re undoubtedly thinking, will the meeting have to go on for twenty? As Emile Durkheim so sagely observed, a society’s space-time perceptions are a function of its social rhythm and its territory. So, by walking to the business meeting I have disrupted it just as surely as if I’d appeared stark naked with a peacock’s tail fanning out from my buttocks while mouthing Symbolist poetry.”