“We've been watching your kind, noting it all down, putting it in our order pads while you snort in your trough. It may be fragmented, it may not be prettified, it may not be in the Grand Tradition, but let me tell you--it's ours and we're ready to publish!”

“The Ridyadh Bodkin and the Kuala Lumpur Mushroom are positive Meccas for all kinds of daredevils-of this much I'm sure. Decadent Saudi princes pilot microlights through huge holes in their facades, while Malaysian spider men scale them using giant suckers in lieu of crampons. All these activities serve to demonstrate is that modernist megaliths have completely suborned the role of natural features in providing us with the essential and vertiginous perspective we require to comprehend accurately our ant-like status.”

“A final word. Curious. Many years of reading many books has led me to a somewhat bizarre literary critical theory, namely that all significant texts are distinguished by the preponderance of a single word. In Alice’s adventures in Wonderland that word is ‘curious’ (In The Brothers Karamazov it’s ‘ecstasy’, but that needn’t concern us here.) The word ‘curious’ appears so frequently in Carroll’s text that it becomes a kind of tocsin awakening us from our reverie. But it isn’t the strangeness of Alice’s Wonderland that it reminds us of-it’s the bizarre incomprehensibility of our own.”

“Regard yourself as a small corporation of one. Take yourself off on team-building exercises (long walks). Hold a Christmas party every year at which you stand in the corner of your writing room, shouting very loudly to yourself while drinking a bottle of white wine. Then masturbate under the desk. The following day you will feel a deep and cohering sense of embarrassment.”

“You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.”

“Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the edit."[Ten rules for writing fiction (part two), The Guardian, 20 February 2010]”

“It’s like that, isn’t it? Just as Raymond Chandler says, ‘The first kiss is dynamite, the second is routine and then you take her clothes off,’ It had been like that for Alan in his previous affairs, even the extended one he had had with Sybil while Naomi was pregnant. Sure, Alan went on enjoying sex with Sybil, but at a fundamental level his lust for her had died the very first time he felt the shock of her pubic bone against his, and knew that they were now truly welded into one another. Alan was a one-thrust man. Not that he’d ever been exactly promiscuous. Perhaps it would have been better for all concerned if he had been. Rather, his sentiment self-absorption had managed to gild each of these terminal thrusts with enough self-regarding burnish for him to sustain the ‘relationships’ that legitimised them for months; and in at least two instances, for years. ”