“TO HIS HEART, BIIDING IT HAVE NO FEARBe you still, be you still, trembling heart;Remember the wisdom out of the old days:Him who trembles before the flame and the flood,And the winds that blow through the starry ways,Let the starry winds and the flame and the floodCover over and hide, for he has no partWith the lonely, majestical multitude.THE CAP AND THE BELLSThe jester walked in the garden:The garden had fallen still;He bade his soul rise upwardAnd stand on her window-sill.It rose in a straight blue garment,When owls began to call:It had grown wise-tongued by thinkingOf a quiet and light footfall;But the young queen would not listen;She rose in her pale night-gown;She drew in the heavy casementAnd pushed the latches down.He bade his heart go to her,When the owls called out no more;In a red and quivering garmentIt sang to her through the door.It had grown sweet-tongued by dreamingOf a flutter of flower-like hair;But she took up her fan from the tableAnd waved it off on the air.'I have cap and bells,' he pondered,'I will send them to her and die';And when the morning whitenedHe left them where she went by.She laid them upon her bosom,Under a cloud of her hair,And her red lips sang them a love-songTill stars grew out of the air.She opened her door and her window,And the heart and the soul came through,To her right hand came the red one,To her left hand came the blue.They set up a noise like crickets,A chattering wise and sweet,And her hair was a folded flowerAnd the quiet of love in her feet.”

William Butler Yeats

William Butler Yeats - “TO HIS HEART, BIIDING IT HAVE NO...” 1

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“Be you still, be you still, trembling heart;Remember the wisdom out of the old days:Him who trembles before the flame and the flood,And the winds that blow through the starry ways,Let the starry winds and the flame and the floodCover over and hide, for he has no partWith the lonely, majestical multitude.”

W.B. Yeats
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“...she sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: "Thou art the Spring for which I sighed in Winter's cold embraces." Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. "Thou art the Spring for which I sighed in Winter's cold embraces." Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing.”

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“Mark.” She fisted her hands in his hair and pulled his mouth to hers, her entire world anchored on his finger. When it slid inside her, she thunked her head back against the door and panted. Then his thumb brushed her in a slow circle.She cried out against his lips, arching into him, yanking his hair. She couldn’t help it. She was going up in flames. He merely pressed her hard to the door, locking her in place. Continuing the torture, he added another finger. She came hard and fast, the power of it sweeping over her like a tidal wave.”

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“WE ARE TO PLAY THE GAME OF DEATHE are to play the game of death to-night, my bride and I. The night is black, the clouds in the sky are capricious, and the waves are raving at sea. We have left our bed of dreams, flung open the door and come out, my bride and I. We sit upon a swing, and the storm winds give us a wild push from behind. My bride starts up with fear and delight, she trembles and clings to my breast. Long have I served her tenderly. I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes. I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor. She was lost in the endless mist of vague sweetness. She answered not to my touch, my songs failed to arouse her. To-night has come to us the call of the storm from the wild. My bride has shivered and stood up, she has clasped my hand and come out. Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast. The push of death has swung her into life. We are face to face and heart to heart, my bride and I.”

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“Goddess,” he rasped, running his hands over her hips, up her legs.“Lover,” she whispered back, threading the fingers of her right hand through the fingers of his left and moving his hand to her breast. It was heavy and swollen and ripe with desire. He scraped his thumb over her nipple, loving the way she closed her eyes and hummed in appreciation. He loved that she was in charge. He loved how she took pleasure from his body with such confident leisure. He loved how she squeezed her innermost muscles in pulse after deliberate, exquisite pulse as she rode his length. He loved how he was just that to her, her lover, not Nick Blackthorne rock star, but just the man she gave her body, her heart, her soul to. He loved her. Everything about her.”

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