“Weaving olden dances; mingling hands and mingling glances.”

“Where the wave of moonlight glossesThe dim gray sands with light,Far off by furthest RossesWe foot it all the night,Weaving olden dances,Mingling hands and mingling glancesTill the moon has taken flight;To and fro we leapAnd chase the frothy bubbles,While the world is full of troublesAnd is anxious in its sleep. . . .”

“THE STOLEN CHILDWhere dips the rocky highlandOf Sleuth Wood in the lake,There lies a leafy islandWhere flapping herons wakeThe drowsy water rats;There we've hid our faery vats,Full of berrysAnd of reddest stolen cherries.Come away, O human child!To the waters and the wildWith a faery, hand in hand,For the world's more full of weeping than you can understand.Where the wave of moonlight glossesThe dim gray sands with light,Far off by furthest RossesWe foot it all the night,Weaving olden dancesMingling hands and mingling glancesTill the moon has taken flight;To and fro we leapAnd chase the frothy bubbles,While the world is full of troublesAnd anxious in its sleep.Come away, O human child!To the waters and the wildWith a faery, hand in hand,For the world's more full of weeping than you can understand.Where the wandering water gushesFrom the hills above Glen-Car,In pools among the rushesThat scarce could bathe a star,We seek for slumbering troutAnd whispering in their earsGive them unquiet dreams;Leaning softly outFrom ferns that drop their tearsOver the young streams.Come away, O human child!To the waters and the wildWith a faery, hand in hand,For the world's more full of weeping than you can understand.Away with us he's going,The solemn-eyed:He'll hear no more the lowingOf the calves on the warm hillsideOr the kettle on the hobSing peace into his breast,Or see the brown mice bobRound and round the oatmeal chest.For he comes, the human child,To the waters and the wildWith a faery, hand in hand,For the world's more full of weeping than he can understand.”

“O body swayed to music, O brightening glance,How can we know the dancer from the dance?”

“TO SOME I HAVE TALKED WITH BY THE FIREWHILE I wrought out these fitful Danaan rhymes,My heart would brim with dreams about the timesWhen we bent down above the fading coalsAnd talked of the dark folk who live in soulsOf passionate men, like bats in the dead trees;And of the wayward twilight companiesWho sigh with mingled sorrow and content,Because their blossoming dreams have never bentUnder the fruit of evil and of good:And of the embattled flaming multitudeWho rise, wing above wing, flame above flame,And, like a storm, cry the Ineffable Name,And with the clashing of their sword-blades makeA rapturous music, till the morning breakAnd the white hush end all but the loud beatOf their long wings, the flash of their white feet.”

“The Cat and the Moon The cat went here and thereAnd the moon spun round like a top,And the nearest kin of the moon,The creeping cat, looked up.Black Minnaloushe stared at the moon,For, wander and wail as he would,The pure cold light in the skyTroubled his animal blood.Minnaloushe runs in the grassLifting his delicate feet.Do you dance, Minnaloushe, do you dance?When two close kindred meet,What better than call a dance?Maybe the moon may learn,Tired of that courtly fashion,A new dance turn.Minnaloushe creeps through the grassFrom moonlit place to place,The sacred moon overheadHas taken a new phase.Does Minnaloushe know that his pupilsWill pass from change to change,And that from round to crescent,From crescent to round they range?Minnaloushe creeps through the grassAlone, important and wise,And lifts to the changing moonHis changing eyes.”

“The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me.”